• 2021 Year End Music Review

    Started writing this in my journal but figure it’s probably something share-worthy, here’s a quick look at what I listened to in 2021. Planning on using last.fm this year to better track this stuff.

    Telecaster/Guitar music

    Earlier this year during lockdown I picked up a very nice used American Telecaster. I love it. It’s the opposite end of the spectrum from my Gibson 335. They both have their place in my playing/songwriting. Anyway, picking up the tele got me listening to way more tele players including a lot of Kenny Vaughan and Marty Stuart.

    Reading a bunch of Kenny Vaughan interviews, he kept mentioning Hollywood Fats, Roy Nichols and Roy Lanham so I did a lot of digging on their playing over the past year.

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    Somewhere in that dive on tele players, I came across Ripley Johnson who is not at all like Kenny Vaughan but as soon as I heard him playing with his Rose City Band, I immediately went over to the Thrill Jockey website and bought all of the Rose City Band albums on vinyl. There’s something that reminds me of the more melodic exploration/noodling of Jerry Garcia’s playing in Johnson’s playing and I love his tone and the sound environment of the Rose City Band albums so he was a really welcomed accidental discovery this year. He reminds me a bit of William Tyler, too, but maybe more accessible or less demanding than Tyler who I didn’t listen to as much this year as I did in 2020.

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    I listened to the Jerry on Jerry audiobook this year which I highly recommend for any fans of Jerry Garcia and his playing. So much good material in there and it’s Jerry’s actual voice on the interviews so that’s a joy, too. He mentions this fiddle player, Scotty Stoneman, in a couple of the interviews and that ended up being a very useful vein to mine on the streaming services and it yielded a live show where he’s playing with Clarence White though you can’t hear Clarence too well on the recording. Still great listening and I could hear that sense of abandon and really long melodic phrases in Stoneman’s playing that Jerry was so drawn to.

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    Pop/Country, etc.

    I continued my deep dive into Bahamas. During a break in covid my son and a friend of mine headed up into NY to see Afie Jurvanen at Webster Hall and it did not disappoint even though it was a solo show and it would have been great to see him with a full band but, man, what a great player/performer/songwriter. I’ve gone back to his Live to Tape videos on YouTube so many times this year.

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    Also listed many times to Sierra Ferrell’s Long Time Coming. Great songwriting, fantastic performances. Such a listenable ablum, i should buy the vinyl version if its available (or would if they were not all sold out!). Her album deserves to be sold out, all killer, no filler!

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    Also, waded a bit into the Hiss Golden Messenger waters. I heard Way Back in the Way Back on our local 90.5 The Night radio station on my way to a gig. Immediately after hearing it on the radio I fired it up on Spotify and listened to it about 5 times in row. Love the guitar tone on the outro solo. I listened to a few albums and spun Quietly Blowing It many times and while they were all good, nothing grabbed me like that first song.

    Same is mostly true about The War on Drugs latest, I Don’t Live Here Anymore. I spun that album quite a few times. I’m not sure if it’s because of a lack of hooks or just my lack of attention but nothing from those repeated listening really stuck with me though when I fire it up when I’m putting the dishes away in the kitchen, etc, there is a really nice comfortable familiarity to the album so it may just be taking a while for it to stick.

    My son had been telling me about King Gizzard for months now and every time I put them on I just wasn’t feeling it. Until I heard their latest release, Butterfly 3000. Perhaps my favorite album of 2021. I love everything about this album from the songwriting to the sonic landscape. It’s all so new and fresh to my ears and melodic, too.

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    John Mayer Sob Rock. A few tracks on this really stuck with me and I love the whole shitpost vibe of the album and the sounds are just incredible and are like a nostalgia bath for the ears.

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    Other

    I have no idea how I landed on this album but I must have listened to it 25 times this year and still find it to be one of my favorite to listen to when I’m up before dawn waiting for a reasonable hour to start making coffee:

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  • iOS and Last.fm

    Really a bummer that iOS makes it so tricky to log listening to last.fm. While on vacation this week I haven’t been sitting at my computer that much and have been doing a bunch of listening on my iPhone and iPad and very little of what I’ve listened to is showing up in my log over at last.fm. I’ve discovered some great music this week and feel like a bunch of those discoveries are gone now because I have no easy way of resurfacing them. Agh. So frustrating.


  • Support artists, buy vinyl?

    I’ve been buying albums from new artists for the past year or so. If I find myself repeatedly listening to a new release on Spotify or Apple Music, I buy the record. It’s usually about $30 w/ shipping which is steep but I’ve long suspected that the margin is pretty good for the artist so, why not.

    A couple of recent purchases are Yola from the Easy Eye store and a couple of Rose City Band releases from Thrill Jockey. Have listened to them a few times and really like having the artwork/liner notes.

    Anyway, came across this today:

    A vinyl record costs ~$7 to manufacture, and a band typically sells it directly to fans for $25 — good for $18 in profit.

    By contrast, streaming services only pay out a fraction of a penny for each listen. 

    A band would have to amass 450k streams on Spotify to match the profit of 100 vinyl sales.

    So I think my assumption was correct that buying records from artists is a good way to support them. Anyway, so more interesting numbers around vinyl and supply chain are in the full article.


  • Getting better at tracking listening

    I use this service called readwise that helps me remember what I read. I’ve posted about it before. 

    Anyway, it occurs to me that I really need something similar for my listening. Like, what artists have I recently followed in Spotify or tracks I’ve dug Apple Music, etc. I think there’s probably some way to use iOS shortcuts to get at this info. Until then, I’ve resuscitated my last.fm account and paid for the year of Pro access so I can play around with the reports and API. I spent some time at lunch today hacking away at it. I think even just getting an email that looked like this grid below of my top albums from the past month would be a great first step. Note that some of these albums weren’t actually my top albums for the month but because of a bug in one of the apps I was using a bunch of songs got duplicate/triplicate counted. I think I’ve got that worked out. Anyway, nice little programming challenge for 2021!

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  • Focus mode for musicians on iOS

    I’m sure there are a bunch of really excellent use cases for the new focus mode in iOS but this one that I created yesterday is a total game-changer for me. On so many occasions I’ve been playing guitar or recording something in garage band and had a phone call or text interrupt the recording session and it is really a challenge to remember to put on do not disturb each time I launch a recording session in GB.

    Enter focus mode! I created a focus mode that turns off all alerts/interuptions called “Recording” and set it so that the mode is engaged every time I launch Garage Band. Focus mode is pretty intelligent and automatically puts all of my iOS devices in “Recording” mode as soon as I launch Garage Band. This is awesome and I highly recommend it!

     

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  • AirPlay 2 on Shairport

    This is still in its infancy but it’s fantastic to see AirPlay 2 support making its way into Shairport/Linux. I haven’t tested this yet as I’ve been buying old AirPort Express (amazingly, they support AirPlay 2) devices to replace my Raspberry Pi’s but it’ll be fun to pull out a raspberry pi and try to get synchronized audio playing out on my patio speakers.


  • Long Form Article Reading on Kindle, Improved

    Over the past year I’ve been using a service called Readwise.io to surface highlights from books I read on my Kindle and from articles I read on my iPad using Instapaper.

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    The service has its flaws but all in all has been useful to me in helping me to remember what I’ve read and found important.

    That said, I’m finding myself less inclined to wanting to read long form journalism on my iPad, especially at night in bed when I’m trying to stay away from screens or at the beach where my Kindle feels easier to read than my iPad.

    I have spent the past couple of weeks cobbling together a collection of tools that makes reading long articles on my Kindle easier as well as saves any article highlights I’ve made to Readwise.

    I wish that I could use Instapaper for this workflow but, while you can read Instapaper articles on the Kindle pretty easily, tracking highlights doesn’t work so well. So I’ve landed on the following:

    Push to Kindle from fivefilters allows me to easily push web articles to my kindle from my Mac (via Safari extension), iPhone or iPad (nice, easy to configure dedicated iOS app)

    I then read/highlight on my Kindle paperwhite

    When I plug my Kindle into my Mac’s USB connection, the highlights are automatically sent to my Readwise account

    This last bit requires a good bit of AppleScript sorcery but it’s pretty easy to achieve using EventScripts.

    Basically, EventScripts notices when my Kindle is plugged in. Once it sees the Kindle is plugged in, it executes this AppleScript which emails the My Clippings.txt file automatically to readwise who then imports it.

    Really pretty elegant stuff here that, I hope, shows the value proposition of many small/lightweight tools loosely coupled as opposed to some monolithic solution.


  • Apple Lossless Dolby Atmos

    I scored a great deal on a NAD receiver/amplifier (with a phono preamp!) recently and finally had a chance to run it through its paces into my KEF Q150s. I primarily listen to vinyl through this setup but also have an older AirPort Express going into an outboard DAC via optical out so that I can stream music from Apple Music and Spotify via AirPlay from my iPad/iPhone.

    Which is how I stumbled across the opportunity to check out some of Apple’s new Dolby Atmos versions of albums. First up was a quick run through Rush’s Moving Pictures. The Dolby Atmos logo showed up under the album art and I sent Tom Sawyer over to the NAD via AirPlay ready to have my socks blown off.

    And it sounded like garbage. I did some A/B between the Apple version and the Spotify version and the plain old Spotify version sounded way better. So I did some digging and it turns out I was doing it all wrong.

    The thing with Atmos-enabled albums is they should only be played on Atmos-capable speakers/headphones (like AirPod Pros or HomePods via Apple TV) not on a pair of regular KEF’s. It took me a while to figure out that it’s important to sanity check the Music settings on your iOS device to make sure everything is all cool before sending music over AirPlay.

    When you go to Settings->Music->Dolby Atmos on your iPhone or iPad make sure it’s not set to Always On! If you put it on Automatic what happens is if you are playing through AirPod Pros (or other Atmos-enabled speaker) is that it plays that Atmos-version of the album but if you AirPlay to a regular stereo, it plays the Lossless instead.

    I confirmed this and now when I choose to AirPlay to my HiFi system the logo under Moving Pictures changes from “Dolby Atmos” to “Lossless.” Pretty cool.

    So, the regular stereo Lossless stuff sounds, as expected, pretty excellent through the NAD->KEF setup. Also, the Atmos stuff sounds pretty cool through the AirPod Pros I have, not sure if it’s anything more than a novelty at this point. Some mixes just sound a little wider but others (I stumbled on I Want You Back by Jackson 5) you can really hear the soundstage way more distinctly in the Atmos version as opposed to the plain stereo version.

    I don’t do a lot of serious listening through my AirPods but if you have a pair and want to hear something really cool, click this link and wait about 10 seconds and then start to turn your head from side to side. Pretty cool, right?

    So the next step here is to check out some Atmos stuff on my pair of stereo HomePods. I have a pair of the original HomePods and they sound killer as a stereo pair. Unfortunately you can’t airplay right from your phone to the HomePods and get Atmos-enabled sound. Instead you need to send audio from an Apple TV to the HomePods to get the Atmos features. Which isn’t too big of deal since we’ve got an Apple TV in the room with the stereo pair. I’m looking forward to checking that out.


  • Three key health metrics from Apple Watch – V02 Max, HRV and resting heart rate

    As I finished up my run this AM, I checked my phone to look at the health data captured during the run. This is my habit and it got me thinking that based upon some recent conversations with friends of mine who got Apple Watches for Christmas, it feels like more than a few Apple Watch users are missing out by not regularly reviewing some of the key health metrics that the watch captures.

    Of course, these metrics become more illustritive and valuable the longer you wear your watch. Meaning, you won’t learn a whole lot for a couple of weeks of data but, wear your watch for a few months or years and you’ve got some terrific baseline data to help you get a clearer picture of your overall health. Note, too, that the data your Watch sends to your phone can be viewed in both the Health app and the Fitness app. They offer different views into similar data but the Health app allows access to more data points and allows you to create favorite metrics, etc.

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    The first step is realizing how much valuable information the Apple Watch (or other fitness tracker) sends to the Health app. That’s the white icon with the heart on it on your phone. Your watch sends all sorts of data to that app and you’ll want to just view the highlights using the “Summary” view in the Health app.

    The first two metrics that I always make sure are on my iOS Health Summary screen are Resting Heart Rate and Heart Rate Variability. (If you’re not sure how to edit your iOS Health App Summary view: Launch Health app, click Summary in bottom left and then “edit” in upper right.)

    The more fit you are, the lower your resting heart rate. In theory. More importantly, if you see your resting heart rate trending up or having huge spikes it could be a sign that you’re getting sick or something else is going on to impact your overall health.

    Likewise, with heart rate variability (HRV). The greater the variability of your beat-to-beat rate, the healthier your autonomic nervous system. So, higher numbers here are better. If you see your HRV trending downwards it could be a sign that you’re getting sick or something else is going on. I wrote a post a while back about how big changes in both my resting heart rate and my HRV were clearly visible on my phone when I had Lyme’s disease.

    Then there’s V02 Max (aka Cardio Fitness). This is a great indicator of your overall fitness. Higher is better. With iOS 14, Apple changed this metric to be called “Cardio Fitness.” I’m glad to see Apple paying attention to this metric. For a while my Apple Watch was very inconsistent in updating my V02 max but since September my watch has updated my V02 max every time I’ve run or walked for longer than 20 minutes.

    Combined, these three metrics can tell me a lot about how stressed out I am, if I am getting enough sleep and if I am exercising enough, too little or too much. Definitely worth adding to your Summary screen if you have an Apple Watch.


  • iPad Pro for home studio recording

    I love my iPad Pro for recording. My current workflow involves laying tracks into GarageBand and then either exporting the stems out to a Google Drive where one of my band mates adds them to our band’s Reaper projects or I dump the project to my Mac and play around with the mix in Logic.

    But the best part about the iPad Pro as the nucleus of my recording setup is this:

    I can use the portable setup in the early AM with headphones and not disturb anyone . . .
    …and then later just bring the iPad into my office for this setup.

    This kind of flexibility can’t be beat. I’ve made and recorded more music over the past two weeks with this setup than I’ve made in years. Some of the motivation to record surely comes from Mirror Sound and just thumbing through those pages gave me all sorts of setup ideas.

    Being able to just use a USB dongle and a midi keyboard/headphone setup for moving from room to room is very lightweight/portable setup. I am also very happy with my Akai MPK mini even if I don’t totally know how to use it to its full potential.

    Using the iPad Pro, I can also plug in an audio interface and do the full microphone recording setup in my office is great. I’ve got a good template setup in GarageBand for the two mic multitrack setup so as soon as I have something to record I can just pop down on my stool, start a new project based on the template and hit record. Takes about 1 minute to get setup and it sounds really damn good.

    That said, I’m hoping that Santa brings the new audio interface that I’ve asked for so I can stop using my Zoom H4N as that minute of setup time is due almost solely to how long it takes the zoom to connect as an audio interface. That, and I still haven’t found a really stable USB hub that allows me to run the interface, power and my midi keyboard concurrently in my iPad. But them’s first-world problems.

     


Current Spins

Top Albums

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